Scarecrow Puppet Project From Concept to Creation.
My Scarecrow Puppet Project started with two events.
The first event was at work when I was chatting with a colleague about engagement marketing and lead generation. Ever since I started doing this type of marketing I have wanted to use more props and a puppet. The first puppet I was thinking of for my current job was a tiki, but a friend did not think that would work so well.
The other event that defined the Scarecrow Project is after seeing a client I realized that I needed a new computer (brain) to maximize the effectiveness of my video projects. The first thing that popped into mind was the scarecrow singing if I only had a brain. That was a fairly strong visionscape that has driven the theme and direction of this entire project, promotional campaign, and possibly my business as well.
The scarecrow myth is a good little narrative that fits many of life’s struggles, goals, and dilemmas.
While planning on how to use the puppet for a street performance I started researching American history. I started thinking about American history between the mid 1700s through the early 1900s. One thing led to another and I went from pioneers in the Ohio valley up to the 1939 Wizard of OZ movie.
What I was looking for was some Americanism that tied everything together. Well, you know what, I found it. Yep, I found a thread that connected several events right up to Lyman Frank Baum books. If you guessed he is the author of the Wizard of OZ, you would be right.
The story I uncovered is a long journey of twists and turns. I will tell more about the story in the future.
The Scarecrow Puppet Build
I started off planning to build a modified Japanese bunraku style puppet. Bunraku is a traditional Japanese style of puppetry that officially was started in 1805. Although it’s based on an older style of puppet performance called ningyō jōruri which is from the early 1600s. The bunraku puppet is operated by three people wearing all black. The main puppeteer controls the right arm and the head, the second puppeteer controls the left arm and the third puppeteer controls the feet.
The bunraku puppet arms are controlled by a somewhat sophisticated rod mechanism. The head is made by a master craftsman and can feature several styles of special effects.
Another interesting aspect of bunraku that’s different from my style of presentation is that in bunraku the puppeteer does not speak. In bunraku there is a special narrator sitting to the side of the main performance. The narrator is also accompanied by a musician. I have been thinking about how I may incorporate this feature into my performances as well.
While I have kept some of the basic concepts, the final puppet turned out quite different than my original plans. My original plan was to make a traditional bunraku style body and rod mechanisms for the arms. The original head was going to use a combination of a traditionally placed head using the modular design that I am currently using.
However those plans have been modified many, many times since the initial impetus for the project. What I ended up doing is using a Halloween skeleton as the foundation for the Scarecrow character. This decision has had a huge influence on the project and how it has progressed.
One thing I have learned is that each design decision will have a far reaching effect on the overall project. If I was aware of how the project would be implemented, I would have done the build a lot different. Not only have I changed the design several times, but the scope of the project has changed as well.
Originally the project was going to be used only for a street performance to raise enough money to get a new computer and a few other necessities for going back into production with my “On The Road” Public assess show. I also wanted to build a Long Beach directory to highlight some of the places I enjoy in long Beach.
Now I would also like to use it for other types of engagement marketing as well. Perhaps promoting Long beach businesses or special events. I have also thought about using the scarecrow on Hollywood Boulevard to encourage tourists to visit businesses that have a listing in my local directory. I am always coming up with ideas, while they might not be very good ideas, they are idea. I could probably come up with better ideas – if I only had a brain. Do any of my readers have an idea or two to share?
If the puppet project ever becomes popular there is now a chance this could turn into a brand/franchise on its own. The development of a YouTube channel has always been part of the plan, but its scope has now changed.
I always thought the YouTube channel would be secondary and the street performance would be the main focus. It would be great if the YouTube channel becomes the main focus of the Scarecrow Puppet project. But I still think face to face will be the best initial use of the puppet.
While the video below has a link to my ScarecrowShow website on the YouTube page I believe I am going to focus on building the LongBeachScarecrow dot com site and brand.
There have been many changes as to how the puppet will be manipulated and the type of performances we will do. This has had a big impact on the final design.
I originally planned on just adding some clothes to the skeleton and a few decorations. Then I started working on a bit more elaborate head. I did not want a flat face. So I did a bit of sculpting. I also wanted a movable lower jaw, which ended up being the most difficult part of the whole project. It is the lower jaw that sometimes makes me wish I had started with a different design. But it works great now, although it can be a bit temperamental and sometimes requires a fine grained touch. Additionally it needs to be adjusted more frequently than I would like.
I do have ideas for a complete redesign, and may do this in the future, if I need a second puppet. The new design would utilize all the lessons I learned while building the initial puppet. But for the time being, I plan on staying with the old design.
I have added a few pictures of the original build process. I wish I would have taken more pictures, but often I was in a rush to get as much done on my day off as possible.
You can learn a lot about planning and decision making by developing a puppet/costume and the corresponding production.
One thing I am running into over and over again is the decision to start with an interesting but not standard foundation for the puppet. This has given me several design problems at just about every point in the project. However, it has also taken me in a direction that would have been more difficult to see if I went with a more conventional design.
It seems that I constantly need to find a solution to some unusual and unplanned design issue. Need I say, these are unwelcome uses of my resourcefulness. So far it seems that it takes at least three times to find something that works. If you change one element of the design, don’t be surprised it you need to go back and modify one or more of your other design elements. A puppet can be a holistic system. Like many things in life, you need to get the gestalt right for it to work properly.
We started by deconstructing and modifying the jacket.
Along with the padding we sewed the shoulder pads onto the foundation.
The head was too small so I added a much larger head. It looks like I did not get any pictures of this. The new head has had several major modifications from what we started with.
The fingers were enhanced with tape and then the gloves were modified and tied on.
I made the upper part of the face as a module that could be reused on additional platforms. Originally I was going to have this as both a puppet and a costume. This dual purpose was one of the biggest reasons I made the puppet with a modular design. I have since decided to not pursue the costume performance.
After cutting the jacket up we added some body padding to the foundation. I was originally planning on using more traditional material for this, but I decided to use what I had on hand. I created some padding from packing material that a mannequin came wrapped in.
I added a t shirt for extra padding. To hide the packing material, and to tie the look together. Everything required some type of modification, even the t shirt.
I originally made the sleeves so they could be manipulated somewhat like a bunraku puppet. However, I decided to use a different presentation style with the right side of the puppet and modified that sleeve by making the opening larger. I have kept the left sleeve true to the original design. The left arm is controlled by a simple rod and the performer can also grasp item by partially inserting their hand under the puppet’s hand in bunraku fashion. I am not planning on using this feature of handling objects with the left hand much, but it is good to know I have that option. I think in most presentation the performer’s left hand will be used to manipulate supporting props and other characters. As of the time of this writing I am planning on making some modifications to the left arm rod so it will be more useful with the current presentation style. While it won’t have the wrist action of a bunraku puppet it will have a wider range of animation and liveliness.
I added the straw to the sleeves and pants.
There is a learning curve to the process of adding the straw trim. I started with hot glue. That is not the best solution. I found the best results from tying the raffia straw to a cord and sewing this into the clothing.
I added a few patches to the pants.
I made the shoes out of felt and hot glue. They are tied on, not much special, but they work. I plan on changing these in the near future. they are okay, but not at all what I now want for this character
Padding was added to the arms and legs.
I had to rebuild the neck piece to increase the range of movement for the lower jaw. There are some internal parts that needed to be replaced as well, so it was a little more complex that it looks in the picture.
Just when I thought I had the working model finished, it seemed that I was faced with the need to totally redesign the structure of the head. The problem was that the lower jaw needed more room to move. Fortunately I was able to redesigned the jaw so I could use the original head design.
Instead of redesigning the head I totally redesigned the lower jaw
I made a body mount so I can more easily work with the puppet in a standing position.
To get the mouth to hold its shape I used wire and tape. However I needed to get the original shape before I added the more permanent under-structure. To get the burlap to stay in somewhat the shape I desired I used Modge Podge. The Modge Podge held the original shape until I could install a more permanent solution.
I do not have a picture of the final part that holds the scarecrow puppet’s lips in-place. As I remember I did this part in a hurry before work one morning. Permanently connecting this under-structure to the lips did slightly change the position of the lips, and that I am a bit unhappy with.
I also do not have pictures of making or installing the tongue. As with many of the parts, I first made paper patterns for the tongue before I cut into any of the material.
I thought a different color scheme would work better.
I have changed the under color of the puppet from green to orange because in the future I may want to use a green screen. The change was a good decision because I’ve decided to change some of the original color schemes.
There you have it, 6 months of work boiled down to one article. During this build it was my constant wish to take five continues days off work to concentrate on the puppet. My primary puppet lab/work area is outside and it rained a lot during this puppet build. The rain was a constant source of frustration. However, now Mr. Scarecrow is operational and I have enjoyed producing a few test videos to get the hang of its operation.
There are still some changes I want to make in the costume and the operation. In the future I will be adding an article about some of the other character I made that will act as supporting cast for the Scarecrow show.
And that’s the way it is.Follow me on Google + to comment and connect